We’ve come to the end of our time.
Something that shouldn’t come as a surprise to the residents of Wellington Wells, as its bleak landscape is decaying more rapidly than a plagued corpse in Lud’s Holm. Their reliance on Joy to forget who they are and what they’ve done is a problem, as bad batches are becoming increasingly common, and those who can’t take their Joy are exiled from civilisation. Thrown to the destitute and plagued of the wilderness. Scavenging the ruins of a near-extinct society, that has no means by which to sustain itself, as its ageing population will eventually expire.
But maybe that’s for the best.
Arthur Hastings, former resident of the Parade District, awoke to this nightmare, and fled its institutionalised indoctrination to rediscover his own forgotten past. Something that he may regret doing once he discovers the truth about who he is, what he did, and how he came to be here.
I’ve found We Happy Few to be deceptively content-dense, with three distinct playable characters, each with their own motivations and talents, and each witnessing the intertwining events from their own perspective. Arthur is the first, and most versatile, of the three. Favouring either stealth or combat, while having the fewest equipment restrictions. Uncharacteristically, and solely because there is an associated achievement, I’ve been avoiding combat where possible, instead relying on subtlety to fumble my way through Wellington Wells. Only using weapons deemed as non-lethal, and thus only capable of rendering an opponent unconscious. Not that I’d agree that wrapping a cricket bat (or rolling pin) in cloth makes it any less lethal. But only with non-lethal weapons will I be able to avoid murdering the general populous as Ollie.
Character development is surprisingly extensive, too. There are three different skill trees per character to invest in, with skill points being awarded for the completion of numerous quests. Some skills, such as those that increase maximum health, or weapon damage, are shared between characters. But every character has their own particular talents as well. Having to explore- and interact with- the world around you to further the capabilities of your chosen character is very satisfying, and encourages meaningful exploration that often yields other boons.
Such as Inventory Expansion Kits.
Allowing you to satiate that desire to hoard every glass bottle, brick, and rock that you find in the bins you’re rummaging through. Regardless of whether they’re actually useful to you or not. Never daring to sell them as you’ve no need for more currency that you won’t spend.
I’m curious as to how my approach will change, if at all, for Sally and Ollie, as they’ve got notable strengths and weaknesses. Which is as exciting as it is terrifying, as there might be some really annoying mechanics pertaining to those two. Or they might be jolly good fun. Sally, who seems to favour stealth, and chemical warfare, should be easy to adjust to from my time with Arthur. Ollie, however, needs to fight. Needs to rely solely on non-lethal weapons to avoid undoing everything that I’ve done in the last fifty hours. I’m fairly proficient at engaging in combat, but I’ve never had to default to it. So I’m (rather surprisingly) unsure whether I can. But I believe that your experiences should teach you something about yourself, and relying on stealth in We Happy Few has certainly done that. I’ve learned that I’m really good at running away.
Have a nice week, all!