Fluffy But Terrifying

The cycle of fluffiness continues.

I’d also argue that the Paolumu is anything but terrifying. Quite adorable, in fact. But they are giant flying beasts that would more than likely swallow you whole if they got the chance… so maybe they are slightly terrifying. But, again, quite adorable, as their primary way to show aggression is to inflate their balloon neck. Which looks ridiculous and is not at all terrifying- unless you’re scared of balloons- in which case feel free to change your trousers at any time. I’m mostly fond of them due to their original design and their unique (and rather interesting) anatomy.

They’re also a great candidate to test my new brushes on.

I reckon you could make some rather nice brushes from their fur, too. In what could only be described as an entirely spontaneous decision I started to paint this majestic winged creature. I do that sometimes. In fact, some of my best work has been entirely spontaneous. Sometimes it’s nice to not stress every aspect of the painting and just focus on actually painting it.

I was also wondering how my new brushes would perform with a new piece. I’ve modified my existing set to include sharper, more precise, and more accurate brushes for those crisp lines. I’ve also added more texture to the flat brush I use often. I’m finding that these new brushes give me more freedom in some ways, more precision in others, and that they encourage more consistent blending. I’ve spent more time adjusting opacity with this piece, too. These are all things that are only possible due to my increasing confidence with digital approaches. I’m also no longer having to fight with the hardware, brushes, and canvas sizing to get the results I want. It’s about as close as I can get to mimicking traditional approaches but with digital tools.

Don’t make me puffy. You wouldn’t like me when I’m puffy.

I feel I’ve been bolder in my choice of colours for this piece. Not as bold as I’d like to be- but that will come with confidence. I’m also learning a lot about how best to approach layering colour and defining areas of an illustration or painting, which I could translate to traditional approaches. I’m quite excited to see how different my traditional work will be now. I don’t necessarily feel that either will get weaker as a result of focusing on one or the other. I feel as though they can only improve now. I just need to remember the limitations of each material.

I also miss ink. It allows me to add so many tiny (perhaps unnecessary) details.

I don’t know if this is an approach that I’ll continue to use in the future. I tend to think that each painting or illustration is unique, and, as such, requires a unique approach. I do want to have some consistency between pieces, though. Not having that consistency has caused me problems in the past. But I don’t know if this thick painted style is one I’d like to pursue for every piece.

I rather like how Older and Wiser has its own unique qualities and this piece is starting to develop its own unique qualities in kind. I’m also proud of the progress I’ve made in such a short time with digital painting. I’m far from where I would like to be, but, again, these things will come in time and with confidence. There’s no sense in rushing things. I also don’t know if the next piece you see from me will be the result of traditional or digital approaches. I’ve not felt this positive about my creative efforts in a long time. It’s refreshing- and exciting- and gives me hope for the future pieces I’ll produce. We may even see a few more from Monster Hunter World, too. They’ve got some incredibly colourful, meticulously designed, and anatomically interesting beasts.

Have a nice week, all!

Moggie

Art, design, and the like found herein (unless otherwise specified) is drawn and owned by David Wilkshire (also credited as Moggie) from 2006 to present date.

Monster Hunter World, Astera, Paolumu, Anjanath, and all associated trademarks and devices are owned by Capcom.

Expensive Mistakes

Not so much a mistake but a lapse in judgement.

Not that it was really a lapse in judgement, either. It was more of a calculated logical thought process tempered in the fires of reasoning. But there really is no point in trying to explain why I do the things I do, mostly because that would take far longer than just explaining that I’ve done them. I’ve been working towards a collection of materials for some time, though. So this is hardly something unexpected. Mostly because I’ve been looking to get a nice set of flat brushes that compliment the nice set of round brushes I bought some time ago.

I’ve got this thing about brushes. It’s kind of concerning.

I also bought a fan brush because they’re neat and I’m sure I’ll find a use for it. At some point. For some reason. In any case, I’ve finally decided to settle (for lack of a better word) on a collection of materials which I believe suit what I’m attempting to do. I don’t know if they’re the materials I’ll be sticking with forever- but they’re the ones I’m sticking with for now.

Spontaneously purchased some gouache tubes while I was at it, too. It’s… an interesting material. I’ve not used them for much outside of a small test piece, but I’ve learned a little more about them in the process of painting that test piece. I’ve also discovered the joys of layering gouache. Which isn’t actually as easy as it might seem, as the paint never actually dries (as far as I can tell) and can always be reactivated even after several hours. Well, no, it does dry, but it doesn’t stay dry. That might be a better way to explain it. It’s an interesting detail that I wasn’t too aware of and so my first attempts were somewhat flawed. I’m really enjoying the creamy texture of the paint, though. The styles I could create with it are gorgeous.

Moggie makes the mistake of going to the local art store.

I suppose it’s more that I’m approaching it wrong as it’s kind of like acrylic and watercolour had a baby. A very creamy baby. Which means you need to approach it in a similar way to how you would approach watercolour, working light to dark instead of dark to light. Not that you can’t overlay colours. Just that you’re going to run into issues if you’re trying to overlay incredibly light colours over incredibly dark ones. As the darker ones will reactivate and blend endlessly into the lighter ones. Some of my issues are definitely my own.

Which I’ll work out by learning more about the material in time.

It’s kind of exciting, though. I’ve really enjoyed being able to learn new things about acrylic (and even digital) painting. Gouache is just another test that I’ve forced myself to go through for reasons I can’t quite explain, but will appreciate once I do something I really like with that particular material. Like every other material I own. It’s, again, a thing I’ve got for materials.

That doesn’t mean I’m entirely abandoning acrylic painting, either. I’ve got my own set of issues with that particular style of painting as well. But, as I mentioned in Mushroom Inspired, I’m starting to change what I consider are my conventional approaches to different subject matter. I may be doing more watercolour painting in the future. That could extend to gouache and acrylic painting, too. It also may not. I may continue with things as they are. But there’s definitely something different about how I see things, how I approach them, and my level of confidence with the range of materials that I use. I can’t tell if that’s just experience evolving into confidence or whether I’ve reached another artistic plateau. The latter sounds terribly conceited.

Have a nice week, all!

Moggie