Something smell a little funky to you?
It’s logical why undead abominations smell so bad (being rotted corpses and all) but I wonder what a fishy abomination would suggest. Perhaps some kind of fisherman mutated into one of the endless legion of the undead? It’s a good question. One that I’m pondering for far too long. I wanted to bring together two entirely unrelated yet equally interesting pieces in this post. One of which won’t be finished, while the other is likely to see some kind conclusion be it in ink or as a digital painting. Or both.
The first was a watercolour painting that I started but was soon abandoned due to one of the elements of its composition going terribly wrong. Still, that’s one of the joys about turning failures into successes- you can always learn something new from them! Or wallow in unending despair. Not that I would suggest the latter.
Even if that’s how I usually respond to those incidents.
As with all of my watercolour paintings, there’s a good selection of colours in this piece and they’ve come together surprisingly well. I haven’t used these brushes much since I bought them. So they’re still a little finicky when it comes to actually applying the paint. As I’m not entirely sure how they feel. I realise that probably sounds ridiculous, but you really do get used to how the brush feels in your hand and you develop your confidence in your ability through that. Like any other material or tool, really. This isn’t the worst watercolour painting I’ve ever done, though. You should see some of my earlier attempts. Not that you ever will, for I shall hide my shame in the depths of my art folders for none to see.
The second is a work in progress that I’m not sure about. That said, what am I sure about? The only thing I’m truly sure about is that I’m not sure about anything. Yeah. You figure that one out. Referenced from the endless abundance of grotesque monstrosities hailing from Darkest Dungeon, this piece has a fair amount of potential and I’m actually quite interested in seeing flat colours applied to it once finished. Or, rather, if finished. The paper texture does something quite magical with it.
It seems to fit the style that Darkest Dungeon has. Maybe even throw a little shading onto it. Something akin to the way an older comic book or graphic novel would be illustrated. It’s definitely got potential and remains an interesting consideration while working on this piece, which could even change the approach I take to the line work from here on out.
Obviously I can’t rework existing lines.
But I can adjust them ever so slightly. A stroke here, a stroke there, and slowly it will form into something glorious. Or start purring. That’s usually what happens when I apply strokes to things- most specifically cats- as they seem to like them. I would be slightly concerned if my paper or pens started purring, though. It might be time to cut back on the coffee should that happen. Or seek psychological help. Or both. Given the recent flood of creative posts, I felt this would be an appropriate time to share some things I’ve been working on (or have worked on before). Hopefully it won’t be too long before we see the finished version of the second piece (if there is one).
Have a nice week, all!
Art, design, and the like found herein (unless otherwise specified) is drawn and owned by David Wilkshire (also credited as Moggie) from 2006 to present date.
Darkest Dungeon, the Caretaker, Swinetaurs, Templar Warlords, and all associated trademarks and devices are owned by Red Hook.